VICEDECORShop

Chapter 01

Stage the room

Miami Vice energy is a time of day and a lack of clutter. Noon light, one pastel plane, one cube. The rest of the outlaw story is what you refuse to put in frame.

  1. White sectional and a money cube beside a pink and aqua column in a bright loft

    01

    Give the color one surface

    Pink and aqua belong on a column or a single wall, not on the sofa, the art, and the lamp. In this frame the architecture does the Vice work. The furniture stays white so the cube can be the loud object.

  2. Man in a light suit seated by a money cube, with pastel panels and a city skyline

    02

    Seat the camera

    Stand and you shoot a product. Sit and you shoot a room someone lives in. Keep the skyline in the glass behind the subject. The cube stays low, slightly off center, close enough to touch.

  3. Money cube used as a bar between two people, pastel wall behind them

    03

    Use the cube as the bar

    Same 18-inch cube, new job. Two people, two glasses, pastel behind them. Do not add a backbar, bottles, or a second table. If the cube is the bar, it is not also the coffee table in that shot.

  4. Two people across a glass table with a single prop-money stack between them

    04

    Put glass over one stack

    A single brick under glass is the whole story. Hands stay on the near side. More than one stack turns the table into inventory. This is the synthwave version of a centerpiece: reflective, small, obvious.

  5. White curved sofa wrapping a low money cube in a bright modern room

    05

    Clear the floor

    The white curve of the sofa is the frame. The cube sits in the pocket it makes. No rug graphic, no side piles, no plant trying to be tasteful. Empty floor is what makes a money cube look chosen.

Watch the loft move

Same cube, same pastel column, now with someone actually in the room. The edit is the rule: the furniture does not change between cuts.